The latest Official UK Box Office Top 10 is here! See which films are dominating cinemas this week, discover the biggest winners, and find out if your favorite made the cut.
Welcome to The Official UK Box Office Top 10—your home for the latest box office chart and the biggest films lighting up cinemas across the UK. From blockbuster superheroes to family favorites and must-see new releases, here’s a look at the movies audiences are flocking to this week.
This weekend at the UK box office, Spider-Man swung into cinemas for his latest caper and performed extremely well. It drove the box office to a high high. Read on to find out how well it performed.
(1) Spider-Man: Brand New Day
Swinging in at number one, Spider-Man: Brand New Day opens to an astonishing £36,405,319. This total dwarfs the £8,144,594 opening of the last Marvel Studios movie, The Fantastic Four: First Steps, more than four times over, and even surpasses the £31,899,232 inflation-unadjusted opening for Spider-Man: No Way Home from 2021. Spider-Man continues to demonstrate he’s a box office force to be reckoned with.
(2) The Odyssey
Christopher Nolan’s The Odyssey drops down one spot to number two, bringing in a total of £6,843,799 in its third weekend of release. That’s a 43% drop from the previous weekend, further showing the movie’s legs. The film has now brought in an overall total of £50,432,683.
(3) Toy Story 5
Toy Story 5 pulls in another £1,051,471 in its seventh weekend of release, bringing its total gross to £51,914,662 to date. It’s managed to hold up in the marketplace despite fierce competition from the opening of Brand New Day, dropping only 45% compared to the previous weekend.
(4) Minions & Monsters
Minions & Monsters managed to pull in £778,533 in its fifth weekend of release, pulling its overall total to £14,412,463. While it’s still far behind the most recent films in the franchise, the fact that it held up well is at least a consolation for its disappointing total.
(5) Moana
The live-action Moana adaptation mustered a total of £719,848 in its fourth weekend, bringing its total to £10,463,608. It’s in a similar position to Minions & Monsters, in that it is far behind the total of its contemporaries, at this point in its release.
For example, Moana 2, released back in 2024, had an overall total of £29,751,577 after four weeks- almost three times the live-action’s total. The last live-action release, Lilo and Stitch, had an overall total of £33,236,415 four weeks into its release. So these holds, while good, are only limiting the box office damage.
(6) The Invite
The Invite comes in at £190,700 for the weekend, down 38% from the previous weekend. Its total is £3,477,225, which is unlikely to reach £5 million before the end of its box office run.
(7) Obsession
Obsession is an amazing box-office success story, as it now enters its 12th weekend in the top ten, again at number seven. It pulls in another £139,329, representing a 45% drop from its previous weekend. Its overall total is £19,392,872, getting close to the £20 million mark.
(8) Evil Dead Burn
Evil Dead Burn comes in at number eight, with a total of £72,670 in its fourth week. It dropped 69%, a harsh drop showing a lack of staying power with audiences. Its overall total is £2,370,145.
(9) Ish
Ish is a new entry in the UK box office, debuting at number nine with an opening of £31,172. The synopsis for Ish reads: “Two best friends face the end of childhood when racial profiling and a traumatic police stop-and-search tear them apart, teaching Ish about letting go in a society where brown boys are constantly watched.”
(10) Jana Nayagan
Landing at the number ten spot, Jana Nayagan pulls in £26,374 in its second weekend at the box office. It had a harsh 94% drop-off from its opening weekend, with audience members who wanted to see it going in on its first weekend.
Next weekend sees the release of Paw Patrol: The Dino Movie and Super Troopers 3.
How many of these big-screen adventures are on your watchlist this weekend? Share your plans in the comments below!
Data from Rentrak via the British Film Institute.

